“Homage to H.R. Giger”
The Art of H.R. Giger and Vincent Castiglia
H.R. Giger, ELP VIII (1986)
H.R. Giger, Victory V (Satan) (1983)
Stephen Romano Gallery in Brooklyn and Vincent Castiglia Gallery in Fort Lauderdale are thrilled to announce an exhibition of two of the most enigmatic and fascinating artists of our time, H.R. Giger and Vincent Castiglia.
The exhibition opens December 1st and continues through February, 2023. The exhibition coincides with this year’s Art Basel Miami, one of the largest art fairs in the world.
A catalog will be available, with contributions from esteemed writers Michael Bonesteel (author of “Henry Darger: Art and Selected Writings) and Curator Robert Cozzolino (whose exhibition “Supernatural America: The Paranormal in American Art” recently toured museums in the USA), as well as Christopher Ian Lutz (whose writings have appeared in Beautiful Bizarre and Riot Material, and who wrote the catalog essay for Morbid Anatomy’s “Opus Hypnagogia” exhibition).
The exhibition is Vincent’s Castiglia’s tribute to one of the greatest artists of our time – H.R. Giger, with whom he had a very close artistic relationship. The exhibition is endorsed by The H.R. Giger estate. H.R. Giger’s art will be presented in the main hall of the gallery, while a group of Vincent Castiglia’s Paintings will be exhibited in an adjoining gallery. The art of H. R. Giger (born Hans Ruedi Giger in Switzerland in1940) has been emblematic of the zeitgeist of our time since the spring of 1979 when Ridley Scott’s film, –a masterpiece of science fiction horror– ‘Alien’ was unleashed upon an unsuspecting world. However, Giger’s art was already well known through posters and the underground magazine networks of the late 1960’s.. Since that time, Giger’s art has proliferated onto museum walls, album covers, films, and much more.
H.R. Giger, Mask VI (1985)
Giger’s art, in the form of drawings, paintings, architectural and set designs, album covers, and sculpture, has led to instant unmistakable recognition for its stylistic and other worldly aesthetic qualities, most often exploring thedarkest depths of the human psyche.
Giger’s art was inspired by the post WW1 surrealist movement, which preceded him by a few decades, as well as contemporaneous artists such as Ernst Fuchs, Salvador Dali, Stanisław Szukalski and Austin Osman Spare. The surrealists explored in their manifesto the proliferation of the unconscious mind through art . Giger, however went even further, as he explored the dark future of humanity and coined the term “biomechanical”, and through his art, prophesied the inevitable cold symbiosis of man and machine, and the dreams of the future. Giger painted mainly with an airbrush, a very eerie and dreamy medium.
On the subject of dreaming, which was central to the surrealists, Giger has said: “Awakening is usually a bitter thing, especially when one tries hard to get back to an erotic dream which is not over, but this seldom succeeds. Everyone dreams, more or less, but few people trust themselves to relate or present their dreams, as they are inhibited from making public their perverse thoughts” “What scares me most is overpopulation, with all its horrifying side effects such as epidemics, mass hysteria, famine, and total environmental destruction. For me, the greatest criminals against mankind are those who, with the help of religion or false ethics, forbid the pill, prevent abortions, and hinder old people from dying a redeeming death.” ‘If people want to interpret my work as warnings about too much overpopulation, disease and mechanization in the future, then that is up to them,’
H.R. Giger passed away in May of 2014, at the age of 74. To claim that Giger is one of the most beloved and influential artists of our time is in no way overstating his legacy, he is one of the very few artists in modern times to be bestowed the title of “the master”.
Drawings by H.R. Giger
Vincent Castiglia, As Gods (2008)
The exhibition’s organizer, Vincent Castiglia, and in whose eponymous gallery it is mounted, is renowned internationally for his meticulously visceral paintings drawn in human blood. The artist’s first exhibition was at the H.R. Giger Museum in Switzerland, titled “Remedy for the Living” which opened on November 1st 2008 and ran for six months. Vincent was the first American artist to receive a solo exhibition invitation from the H. R. Giger Museum.
Vincent says: “The opening day of “Remedy for The Living” with HR at the Museum Gallery I cite that as the best day and experience of my life. Giger was like a god to me growing up, an artistic inspiration of the highest order. It was a dream come true. In addition to being one of the greatest artists of our time, he was kind of like a prophet. Giger was just an unparalleled talent, his work was just so far beyond anything I’ve ever seen. He mediated into this world a body of work singular in vision and execution, the depths of which we’re only beginning to scratch the surface of, that will no doubt reverberate through infinity”.
Vincent Castiglia was born in Brooklyn, New York in 1982, and presently resides in Fort Lauderdale, Florida, where he owns and operates his gallery.
Exhibition curator Stephen Romano continues: “While Vincent Castiglia’s art makes stylistic references to surrealism, it is not born out of dreams or fantasy, but rather the artist’s own trauma and ordeal. In that regard, an understanding is required that the story of Vincent’s life is inextricably intertwined with his art, much like outsider artists Henry Darger and Adolph Wolfli. This gives the art itself a level of authenticity. Yet, Vincent’s art, much like H.R. Giger’s, is shamanic, in that it attempts to not only purge the artist of his trauma, but acts as a cathartic experience for the viewer, as they may bring their own subjective experience to the interpretation of the works, and thereby experience a similar healing experience. This, to me, is the most noble aspiration an artist can have”.
Romano continues: “As a curator I’ve had the opportunity to present Vincent Castiglia’s art in several different settings. What is astonishing, and truly notable is that people from all walks of life respond to it emphatically. It is a testament to Vincent’s artistic practice that it brings so much awe and elation to a world deeply in need of healing. This is the artist as altruist, with unselfish regard for and devotion to the welfare of others, that both Vincent and H.R. Giger perpetuate in their art.
The exhibition opens Dec. 1st and continues through Feb. 2023.
For further information please contact
Stephen Romano at firstname.lastname@example.org
Vincent Castiglia at email@example.com
Burtion C. Bell’s -Celluloid Impressionism-
Industrial metal’s pioneering vocalist BURTON C. BELL will unveil his “Paradise Found” photography series at the Vincent Castiglia Gallery in Fort Lauderdale, Florida next month.
The series features twenty original, full-color photographs of abandoned industrial buildings taken in darkness and fog from 2002-2003. BELL‘s images are printed on aluminum using the Dye Sublimation process – an approach BELL calls “celluloid impressionism.” The photographs are representational of BELL’s industrial and science fiction aesthetic.
The Vincent Castiglia Gallery, which opened in 2022 to showcase Castiglia’s tattoo designs and selection of limited-edition painting prints, will be premiering BURTON C. BELL’s work on March 11th. The exhibit will run through May 23rd.